Oil paint colour chart
What can Schmincke Norma Professional Oil mix?
All 81 colours in the Schmincke Norma Professional Oil range: masstone swatch, Colour Index pigment codes where the name states them unambiguously (23 of 81), and the tinting-strength flags that matter at the palette. Swatches are approximate. They come from the manufacturer’s published chart, not yet from measured drawdowns, and the method page explains what that means.
Pick the tubes you own and the wheel shows their mixable gamut. Free.
The full 81-colour chart
| Colour | Name | Pigment | Tinting strength |
|---|---|---|---|
| Agate Brown | — | average | |
| Alizarin Crimson Hue | — | strong tinter | |
| Azure Blue | — | average | |
| Black Iron Oxide | — | 1.3× | |
| Brilliant Orange | — | average | |
| Brilliant Yellow | — | average | |
| Brilliant Yellow Light | — | average | |
| Burnt Ochre Light | — | 0.9× | |
| Burnt Sienna | PBr7 | 0.9× | |
| Burnt Umber | PBr7 | 0.9× | |
| Cadmium Orange | PO20 | average | |
| Cadmium Red Deep | PR108 | average | |
| Cadmium Red Light | PR108 | average | |
| Cadmium Red Mix | — | average | |
| Cadmium Yellow Deep | PY35 | average | |
| Cadmium Yellow Lemon | PY35 | average | |
| Cadmium Yellow Light | PY35 | average | |
| Cadmium Yellow Mix | — | average | |
| Caput Mortuum | — | average | |
| Carmine Red | — | average | |
| Cerulean Blue | PB35 | 0.9× | |
| Chrome Yellow Hue Deep | — | average | |
| Chrome Yellow Hue Light | — | average | |
| Chrome Yellow Hue Medium | — | average | |
| Chromium Oxide Green | PG17 | average | |
| Chromium Oxide Green Brill. | — | average | |
| Cobalt Blue Deep | — | 0.9× | |
| Cobalt Blue Hue | — | 0.9× | |
| Cobalt Blue Light | — | 0.9× | |
| Cobalt Cerulean Blue | — | 0.9× | |
| Cobalt Turquoise | — | 0.9× | |
| Cobalt Violet Hue | — | 0.9× | |
| Cold Grey | — | average | |
| Emerald Green | — | average | |
| English Red | — | average | |
| Golden Ochre | — | 0.9× | |
| Green Earth | — | average | |
| Indanthrene Blue | PB60 | average | |
| Indian Yellow | — | average | |
| Indigo | — | average | |
| Ivory Black | PBk9 | 1.3× | |
| Lemon Yellow | — | average | |
| Madder Light | — | average | |
| Madder Red | — | average | |
| Madder Ruby | — | average | |
| Magenta | — | strong tinter | |
| Naples Yellow Deep | — | 0.9× | |
| Naples Yellow Light | — | 0.9× | |
| Naples Yellow Reddish | — | 0.9× | |
| Neutral Black | — | 1.3× | |
| Olive Green | — | average | |
| Opaque White | — | average | |
| Payne's Grey | — | average | |
| Permanent Green | — | average | |
| Permanent Yellowish-Green | — | average | |
| Phthalo Blue | PB15 | strong tinter | |
| Phthalo Green | PG7 | strong tinter | |
| Poppy Red | — | average | |
| Prussian Blue | PB27 | strong tinter | |
| Raw Light Ochre | — | 0.9× | |
| Raw Sienna | PBr7 | 0.9× | |
| Raw Umber | PBr7 | 0.9× | |
| Red Earth | — | average | |
| Royal Blue | — | average | |
| Ruby Red | — | average | |
| Sap Green | — | average | |
| Schweinfurt Green Hue | — | average | |
| Titanium White | PW6 | average | |
| Transparent Ochre | — | 0.9× | |
| Transparent Red Brown | — | average | |
| Transparent White | — | average | |
| Ultramarine Blue Deep | PB29 | 1.1× | |
| Ultramarine Blue Light | PB29 | 1.1× | |
| Vandyke Brown | — | average | |
| Vermilion Red Deep | — | average | |
| Vermilion Red Light | — | average | |
| Violet Dark | — | average | |
| Warm Grey | — | average | |
| Yellow Ochre | PY43 | 0.9× | |
| Zinc Titanium White | PW6 | 0.55× | |
| Zinc White | PW4 | 0.55× |
5 of the 81 colours are strong tinters (at least 1.5× average tinting strength). They go into a mix last, a speck at a time; here is why the order matters. Tinting strengths are the app’s own estimates from pigment composition, not measured values.
The Zorn palette in Schmincke Norma Professional Oil tubes
The classic four-tube exercise (ochre, red, black, white) with this line’s own colours: Titanium White, Yellow Ochre, Cadmium Red Light, Ivory Black. The wheel shows the range those four can mix at mid value, computed with Kubelka–Munk pigment physics. The dimmed region is out of reach at any ratio.
At this value the four reach 9.9% of the fully saturated wheel: a small country with good flesh notes. Gamuts differ between brands because the tubes do. The same figure at three values, with the full discussion, is on the Zorn palette page and in the article.
Also from Schmincke
Schmincke Mussini Oil (101 colours). Same maker, different pigment loads and price points, and so a different mixable range. Load both in the app and compare the wheels.
Keep exploring
See what your Schmincke Norma Professional Oil tubes can reach
Pick the tubes you own from the range and the wheel draws their mixable gamut, with knife-part recipes for anything inside it and the ΔE for anything that isn’t.
Load this range in Halftint