Oil paint colour chart

What can Titan Extra Fine Oil mix?

All 79 colours in the Titan Extra Fine Oil range: masstone swatch, Colour Index pigment codes where the name states them unambiguously (23 of 79), and the tinting-strength flags that matter at the palette. Swatches are approximate. They come from the manufacturer’s published chart, not yet from measured drawdowns, and the method page explains what that means.

Load this range in Halftint

Pick the tubes you own and the wheel shows their mixable gamut. Free.

The full 79-colour chart

ColourNamePigmentTinting strength
Bitumen — average
Bluish Green — average
Burnt Cinnabar Green — average
Burnt Sienna PBr7 0.9×
Burnt Umber PBr7 0.9×
Cadmium Red Deep PR108 average
Cadmium Red Light PR108 average
Cadmium Red Medium PR108 average
Cadmium Yellow Lemon PY35 average
Cadmium Yellow Light PY35 average
Cadmium Yellow Medium PY35 average
Cadmium Yellow Orange PY35 average
Cinnabar Green — average
Cobalt Blue Deep — 0.9×
Cobalt Blue Light — 0.9×
Cobalt Green Deep — 0.9×
Cold Grey — average
Compound Green — average
Crimson Lake — average
Cyan Blue — average
Deep Cinnabar Green — average
Earth Green — average
English Red Deep — average
English Red Light — average
English Red Violet — average
Geranium Lake — average
Gold Ochre Transparent — 0.9×
Greenish Ultramarine Blue PB29 1.1×
Indian Yellow — average
Indigo Blue — average
Ivory Black PBk9 1.3×
Lamp Black PBk6 1.3×
Madder Carmine Solid Deep — average
Madder Carmine Solid Light — average
Magenta — strong tinter
Medium Permanent Violet — average
Naples Yellow — 0.9×
Naples Yellow Reddish — 0.9×
Olive Green — average
Payne's Grey — average
Permanent Yellowish Green — average
Phthalo Manganese Blue — strong tinter
Pink Earth Transparent — average
Prussian Blue PB27 strong tinter
Raw Sienna PBr7 0.9×
Raw Umber PBr7 0.9×
Royal Blue — average
Royal Yellow — average
Sap Green — average
Sepia — average
Sky Blue — average
Titan Blue — average
Titan Brown — average
Titan Green Deep — average
Titan Green Light — average
Titan Grey — average
Titan Red Deep — average
Titan Red Scarlet — average
Titan Rose — average
Titan Violet — average
Titan White — average
Titan Yellow Deep — average
Titan Yellow Lemon — average
Titan Yellow Medium — average
Titan Yellow Orange — average
Titan Yellow Orange Light — average
Titanium White PW6 average
Transparent Oxide Brown — average
Turquoise Blue — average
Ultramarine Deep PB29 1.1×
Ultramarine Light PB29 1.1×
Vermilion — average
Violet Carmine — average
Viridian PG18 0.9×
Yellow Ochre PY43 0.9×
Yellow Ochre Light PY43 0.9×
Yellow Ochre Reddish PY43 0.9×
Yellow Stil De Grain — average
Zinc White PW4 0.55×

3 of the 79 colours are strong tinters (at least 1.5× average tinting strength). They go into a mix last, a speck at a time; here is why the order matters. Tinting strengths are the app’s own estimates from pigment composition, not measured values.

The Zorn palette in Titan Extra Fine Oil tubes

The classic four-tube exercise (ochre, red, black, white) with this line’s own colours:  Titanium White,  Yellow Ochre,  Cadmium Red Light,  Ivory Black. The wheel shows the range those four can mix at mid value, computed with Kubelka–Munk pigment physics. The dimmed region is out of reach at any ratio.

At this value the four reach 14% of the fully saturated wheel: a small country with good flesh notes. Gamuts differ between brands because the tubes do. The same figure at three values, with the full discussion, is on the Zorn palette page and in the article.

The Zorn quartet in Titan Extra Fine Oil at 55% lightness. In-reach colours at full strength, out-of-reach dimmed.

Keep exploring

Palettes Limited palettes, mapped Zorn, split-primary, earth and Impressionist, each with its computed gamut. Guide Mixing order Why the phthalo goes in last, a speck at a time. Brands All brand lines Every colour in the database, each line with its chart.

See what your Titan Extra Fine Oil tubes can reach

Pick the tubes you own from the range and the wheel draws their mixable gamut, with knife-part recipes for anything inside it and the ΔE for anything that isn’t.

Load this range in Halftint