Oil paint colour chart
What can Gamblin 1980 Oil mix?
All 48 colours in the Gamblin 1980 Oil range: masstone swatch, Colour Index pigment codes where the name states them unambiguously (26 of 48), and the tinting-strength flags that matter at the palette. Swatches are approximate. They come from the manufacturer’s published chart, not yet from measured drawdowns, and the method page explains what that means.
Pick the tubes you own and the wheel shows their mixable gamut. Free.
The full 48-colour chart
| Colour | Name | Pigment | Tinting strength |
|---|---|---|---|
| Alizarin Crimson Permanent | — | strong tinter | |
| Blush | — | average | |
| Burnt Sienna | PBr7 | 0.9× | |
| Burnt Umber | PBr7 | 0.9× | |
| Cadmium Green | — | average | |
| Cadmium Orange | PO20 | average | |
| Cadmium Red Light | PR108 | average | |
| Cadmium Red Medium | PR108 | average | |
| Cadmium Yellow Light | PY35 | average | |
| Cadmium Yellow Medium | PY35 | average | |
| Cerulean Blue | PB35 | 0.9× | |
| Chromium Oxide Green | PG17 | average | |
| Cobalt Blue | PB28 | 0.9× | |
| Cobalt Violet | — | 0.9× | |
| Dioxazine Purple | PV23 | strong tinter | |
| Hansa Yellow Light | — | average | |
| Hansa Yellow Medium | — | average | |
| India Yellow | — | average | |
| Ivory Black | PBk9 | 1.3× | |
| Mars Black | PBk11 | 1.3× | |
| Naples Yellow | — | 0.9× | |
| Napthol Red | — | average | |
| Neutral Grey | — | average | |
| Olive Green | — | average | |
| Payne’s Grey | — | average | |
| Permanent Green Light | — | average | |
| Permanent Orange | — | average | |
| Phthalo Blue | PB15 | strong tinter | |
| Phthalo Green | PG7 | strong tinter | |
| Prussian Blue | PB27 | strong tinter | |
| Quinacridone Magenta | PR122 | strong tinter | |
| Quinacridone Red | — | strong tinter | |
| Quinacridone Violet | PV19 | strong tinter | |
| Raw Sienna | PBr7 | 0.9× | |
| Raw Umber | PBr7 | 0.9× | |
| Sap Green | — | average | |
| Titanium Buff | PW6:1 | average | |
| Titanium White | PW6 | average | |
| Transparent Red Oxide | — | average | |
| Transparent White | — | average | |
| Transparent Yellow Oxide | — | average | |
| Turquoise | — | average | |
| Ultramarine Blue | PB29 | 1.1× | |
| Ultramarine Violet | PB29 | 1.1× | |
| Van Dyke Brown | — | average | |
| Venetian Red | — | average | |
| Viridian | PG18 | 0.9× | |
| Yellow Ochre | PY43 | 0.9× |
8 of the 48 colours are strong tinters (at least 1.5× average tinting strength). They go into a mix last, a speck at a time; here is why the order matters. Tinting strengths are the app’s own estimates from pigment composition, not measured values.
The Zorn palette in Gamblin 1980 Oil tubes
The classic four-tube exercise (ochre, red, black, white) with this line’s own colours: Titanium White, Yellow Ochre, Cadmium Red Light, Ivory Black. The wheel shows the range those four can mix at mid value, computed with Kubelka–Munk pigment physics. The dimmed region is out of reach at any ratio.
At this value the four reach 5.5% of the fully saturated wheel: a small country with good flesh notes. Gamuts differ between brands because the tubes do. The same figure at three values, with the full discussion, is on the Zorn palette page and in the article.
Also from Gamblin
Gamblin Artist's Oil (94 colours) · Gamblin FastMatte Alkyd Oil (24 colours). Same maker, different pigment loads and price points, and so a different mixable range. Load both in the app and compare the wheels.
Keep exploring
See what your Gamblin 1980 Oil tubes can reach
Pick the tubes you own from the range and the wheel draws their mixable gamut, with knife-part recipes for anything inside it and the ΔE for anything that isn’t.
Load this range in Halftint